Cosmic Agency FAQ — Knowledge From The Stars

According to the Cosmic Agency material, yes. The Urmah tiger Arishah directly confirmed that at least the Sumerian most-used version of cuneiform is based on Urmah writing and lettering. This is supported by Aneeka of Temmer's earlier detailed description of the Urmah writing system, which she stated looks like cuneiform and evolved from the practice of writing with their own fingernails — producing the characteristic wedge-shaped marks that define cuneiform script. The material also places this in a broader context where the Sumerian cuneiform tablets themselves are treated as coded documents with an agenda, and where the Iraq War is described as having been fought partly to seize those very tablets.

The Urmah Writing System

Aneeka of Temmer provided the most detailed description of Urmah writing in transcript A-023 (Feline Culture — Urmah). She described their written language as looking like cuneiform, explaining that in ancient times they used to write with their fingernails as fingernail impressions or punctures in manuscript. The symbols are like sets of lines that are complex — a kind of cuneiform with Kanji. Each symbol in groups represents a complete word, resembling Kanji in that regard (A-023, Aneeka of Temmer).

Aneeka described the physical characteristics of the script in detail. The lines are not uniform but are clearly small wedges, with a pointed part and a wide part. This is the natural product of pressing a claw into a surface — the tip creates a narrow point and the base of the claw creates a broader impression. Their numbering system follows the same principle: depending on the angle or direction of the line it represents a different number, rotating like clock hands. Complexity increases as the value grows, with additional lines being added and sectors marked with other lines to denote tens, hundreds, thousands, and higher values (A-023, Aneeka of Temmer).

She observed that this form of writing is very cat-like in its nature — it evolved directly from feline anatomy. Looking at images of terrestrial cuneiform, Aneeka stated that the long lines of different angles, clearly with a point and a thick part, are exactly what Urmah writing looks like. She noted that what the Urmah originally used to write with were their own nails, and from there the system evolved, though they still use their claws for manuscript writing sometimes (A-023, Aneeka of Temmer).

Arishah's Confirmation

The direct confirmation came from an Urmah speaker. In transcript S-193, Mari Swaruu asked Arishah — a 300-kilogram Urmah tiger serving as communications officer on the starship Avyon One — whether the Urmah developed cuneiform writing. Arishah's answer was unambiguous: he acknowledged that there is more than one type of cuneiform writing, and confirmed that on Earth, at least the Sumerian most-used version is based on Urmah writing and lettering (S-193, Arishah).

Arishah explained the connection in practical terms. Cuneiform writing was convenient for the pre-industrial human societies of Sumer because it was efficient to scribe letters by pressing a piece of wood onto wet clay — reproducing the same wedge-shaped impressions that Urmah claws naturally make. He described it as the human copy or adaptation of Urmah writing, where the Urmah use one of their claws to scribble symbols not only onto clay but also using ink. They wet a claw with ink and use it to write as if it were a pen, wiping the claw clean afterward with cloth and cleaning agent (S-193, Arishah).

This interview also revealed the ongoing practical challenge of Urmah writing in the modern context. Arishah noted that Urmah hands are not fit for typing on human-made computers efficiently — their fingers are short and wide, and their claws are always in the way. The Taygetans gifted him an oversized keyboard (described as the biggest human computer keyboard in the world, with keys roughly four times the normal area) to attempt typing, but Arishah acknowledged that typing human letters is slow for the Urmah and insufficient for elaborate messages. On their own ships, the Urmah use digital interfaces designed for their anatomy: physical buttons resembling half-spheres like ping pong balls suited for their paw pads, or interactive touch holograms and thought-based interfaces (A-023, Aneeka of Temmer; S-193, Arishah).

The Urmah Presence in Sumer and Egypt

Aneeka placed the cuneiform connection within a broader historical context. She stated that the Urmah have been present on Earth for thousands of years, especially in Egypt and Sumer, and more recently in Roman and especially Greek culture. Given this long presence, she said it would not be surprising if they had an influence on writing systems (A-023, Aneeka of Temmer).

The Urmah presence in these specific regions is significant because Sumer — where cuneiform originated on Earth — is precisely the civilisation where the material places early interstellar contact most prominently. The material describes Egypt and Sumer as Federation-connected civilisations where multiple extraterrestrial races interacted with human populations, and the Urmah were among the races present in those regions.

The Sumerian Tablets as Coded Documents

The material complicates the picture by treating the Sumerian cuneiform tablets not as straightforward historical records but as coded documents with a control agenda. Swaruu of Erra stated in transcript 169 that the Sumerian Tablets were created by the same group of people who created the Old Testament, and that they are structured in a very similar way — a set of stories from various parts of the world condensed to validate an agenda, coded so that someone without knowledge reads them one way and the educated in another (169, Swaruu of Erra).

This means that while the physical writing system — the cuneiform script itself — is described as originating from Urmah writing, the content written in that script on the famous Sumerian tablets is treated with suspicion. Swaruu stated that there are no records of any Enlil or any Enki outside the terrestrial saga, and that Federation exo-archaeologists conclude the tablets were created for disinformation and mind control, much like the Old Testament. The names in the tablets should be read as peoples, not as individual characters (169, Swaruu of Erra).

The distinction is important: the Urmah gave humanity (or humanity adapted from the Urmah) the writing technology — the physical system of wedge-shaped marks. But the most famous texts written in that system were created much later, by a different group, for purposes of narrative control.

The Iraq War and Cuneiform Tablets

The strategic value of cuneiform writing in the present day is underscored by Swaruu of Erra's account of the 2003 Iraq War. She stated that the real purpose of the invasion was not weapons of mass destruction or oil alone, but the seizure of Sumerian technology hidden in Iraq — non-human technology, archaeological writings, cuneiform tablets, and artefacts throughout the country. The main target was the Baghdad Museum, where most of these documents and relics were kept both on display and in its cellars (381, Swaruu of Erra).

The cellars of the Baghdad Museum reportedly contained several portals of Elohi origin — large rings about four or five metres in diameter. Swaruu cited witnesses who saw a convoy transporting these ring-shaped portals on military flatbed trucks to the airport for loading onto C-17 military aircraft. Beyond the portals, the seizure extended to all cuneiform tablets and research documents that might contain information contradicting officially accepted history (381, Swaruu of Erra).

Swaruu connected this to a broader pattern of historical erasure — the same pattern seen in the Roman destruction of Druidic culture and the burning of the Library of Alexandria. The purpose was always the same: to control information that could reveal the true history of interstellar contact and undermine the power structures built on suppressing that knowledge.

What This Means for Cuneiform Studies

The material presents a layered picture. The writing system itself — the characteristic wedge shapes — originated with the Urmah feline race and evolved from the natural marks made by their claws. When the Urmah were present in the Sumer region, their writing was adopted or adapted by human populations, who used wooden styluses on clay to reproduce the same wedge-shaped impressions. This adapted script then became the medium for texts that the Taygetans regard as coded propaganda rather than genuine history.

The Urmah connection thus explains the physical form of cuneiform — why it uses wedge shapes at all, when other early writing systems used pictographs or linear strokes — while simultaneously complicating the interpretation of what was written in it.